Hey thanks for your rapid response it's very encouraging. Wow, Val this
all sounds really great, the two different evenings, the short one-act programs with no
intermission, very cool and very do-able. I'm just going to throw a few more questions out to you to
think about and you let me know whenever you get a chance, so we can begin
plotting your course on this piece.
In the upcoming year what specific gaps in your shooting schedule do you have that you would
like to fill with performance dates, or are you going to try and tour city to city in one or
two months straight through
What do you want to charge for tickets, your low and high depending on city/venue
What min and max size/seat capacity venue do you prefer to perform this piece in?- my
suggestion is 200- 600
How much live press -if ANY- do you prefer to do on the road? phoners, local news,
audience Q and A, etc.
How many minutes per program- alone, and -if together on same night
As far as your ability to get a crowd on their feet and deliver a compelling, charismatic,
craftsmanlike, live performance that makes them feel honored to even be there,
i have no doubts. That's funny about Moses, I wish I had seen it live, I saw it on DVD and
know that seeing you perform that role live- regardless of the productions' own success-
must have been a huge pleasure for those lucky enough to attend that run, absolutely.
I can't think of an easier sell than one of the greatest actors in the world performing
work by one of the greatest writers in the world
